For better or worse, I'm associating the Minor version with Shemp (it's a seniority thing :)
The 5 chord will have multiple versions (adding & removing the 7th)
The 1 chord will have multiple versions (lowering the octave going down)
Removing the segment breath marks on the notation examples (gets a bit messy with 3-note chords)
Watch for the string changes -- some voicings are not all on adjacent strings (this is where we start to avoid parallel 5ths & octaves)
Watch for the raised 6th on the descending scale degree 6 (when you hear/feel it resolve to 5, you'll understand :)
Root dyads (A) are in GREEN
'A Minor' 3-note chords on the 6th String:
'A Minor' 3-note chords on the 5th String:
'A Minor' 3-note chords on the 4th String:
'A Minor' 3-note chords on the 3rd String: